Dr. Kelson finds himself in a shocking new relationship - with consequences that could change the world as they know it - and Spike's encounter with Jimmy Crystal becomes a nightmare he can't escape.
Based on a true story, two down-on-their-luck musicians form a joyous Neil Diamond tribute band, proving it's never too late to find love and follow your dreams.
An American actor in Tokyo struggles to find purpose until he lands an unusual gig: working for a Japanese 'rental family' agency, playing stand-in roles for strangers. As he immerses himself in his clients' worlds, he begins to form genuine bonds that blur the lines between performance and reality.
Based on the popular Nickelodeon TV series Rugrats, this is the first full-length feature animated movie to star the little tots. It's the story of diaper-clad kids, told from a baby's point- of-view, and they were one of the hottest-selling toy franchises of the late '90s.
Synopsis: Virginia Woolf defied literary conventions to depict rich inner worlds –
her heightened, startling and poignant reality. Resident Choreographer Wayne
McGregor leads a luminous artistic team to evoke Woolf’s signature stream of
consciousness writing style in this immense work that rejects traditional narrative
structures. Woolf Works is a collage of themes from Mrs Dalloway, Orlando, The
Waves and Woolf’s other writings. Created in 2015 for The Royal Ballet, this
Olivier-award winning ballet triptych captures the heart of Woolf’s uniquely
artistic spirit.
For sixty years, Elizabeth II has met each of her twelve Prime Ministers in a weekly audience at Buckingham Palace, a meeting like no other in British public life, it is private.
Synopsis: The peasant girl Giselle has fallen in love with Albrecht. When she
discovers that he is actually a nobleman promised to another, she kills herself
in despair. Her spirit joins the Wilis: the vengeful ghosts of women hell-bent
on killing any man who crosses their path in a dance to the death. Wracked with
guilt, Albrecht visits Giselle’s grave, where he must face the Wilis – and
Giselle’s ghost.
Peter Wright’s 1985 production of this quintessential Romantic ballet is a
classic of The Royal Ballet repertory. Set to Adolphe Adam’s evocative score
and with atmospheric designs by John Macfarlane, Giselle conjures up the
earthly and otherworldly realms in a tale of love, betrayal and redemption.
Running
time: 330 minutes (to be confirmed) Sung in German with subtitles
Synopsis: Raised by a scheming dwarf and unaware of his true family origins, a young
man embarks on an epic journey. Soon, destiny brings him face-to-face with a
shattered sword, a fearsome dragon and the cursed ring it guards, and a
Valkyrie forced into enchanted slumber...
Moments of transcendent beauty and heroic triumph sparkle in the third chapter
of Wagner’s Ring cycle, brought to life under Barrie Kosky’s inspired eye
following his spectacular Das Rheingold (2023) and Die Walküre (2025). Andreas
Schager, in his much-anticipated debut with The Royal Opera, stars as Siegfried’s
titular hero, alongside Christopher Maltman’s towering Wanderer, Peter Hoare’s treacherous
Mime and Elisabet Strid’s radiant Brünnhilde. Antonio Pappano conducts, drawing
out the unspoken tensions and ethereal mysticism of Wagner’s dynamic score.
Running
time: 210 minutes (To be confirmed) Sung in German with subtitles.
Synopsis: Princess Pamina has been captured. Her mother, the Queen of the Night,
tasks the young Prince Tamino with her daughter’s rescue. But when Tamino and
his friendly sidekick, Papageno, embark on their adventure, they soon learn
that when it comes to the quest for love, nothing is as it really seems. Guided
by a magic flute, they encounter monsters, villains, and a mysterious
brotherhood of men – but help, it turns out, comes when you least expect it.
Mozart’s fantastical opera glitters in David McVicar’s enchanting production. A
star cast including Julia Bullock as Pamina, Amitai Pati as Tamino, Huw
Montague Rendall as Papageno, Kathryn Lewek as the Queen of the Night, and
Soloman Howard as Sarastro, led by French conductor Marie Jacquot in her Covent
Garden debut.
Running time: 245 minutes, Two Intervals Sung in Russian with English subtitles
Synopsis: Following her acclaimed 2024 company debut in Puccini’s Madama Butterfly,
soprano Asmik Grigorian returns to the Met as Tatiana, the lovestruck young
heroine in this ardent operatic adaptation of Pushkin. Baritone Igor
Golovatenko reprises his portrayal of the urbane Onegin, who realizes his
affection for her all too late. The Met’s evocative production, directed by
Tony Award–winner Deborah Warner, “offers a beautifully detailed reading of …
Tchaikovsky’s lyrical romance”
(The Telegraph).